CAMP (Shaina Anand b. 1975, Ashok Sukumaran b. 1974)


CAMP: Est. 2007, based in Mumbai. Awards: 2020 Nam Jun-Paik Art Centre Prize; 2014 Best Film, New View Award, Olhar de Cinema, Curitiba; 2013 Special Mention, International Competition, FID, Marseille; 2009 Jury Main Award, Sharjah Biennial; 2008 Honorary Mention, Digital Communities, Prix Ars Electronica; 2007 Golden Nica: Interactive Art, Prix Ars Electronica (Ashok Sukumaran); Honorary Mentions: Interactive Art, Prix Ars Electronica (Shaina Anand); 2006 UNESCO Digital Arts Award (Ashok Sukumaran). Nominations: 2013 Shortlist, Skoda Prize for Indian Contemporary Art; 2010 International Award for Participatory Art (Shaina Anand); 2010 Asia Art Award (Ashok Sukumaran). Selected Exhibitions: 2020 From Gulf to Gulf to Gulf, Collections display, Media Networks, Tate Modern, London; A Passage Through Passages, Brunei Gallery, SOAS, London (solo); From Gulf to Gulf to Gulf, Punto De Vista, International Documentary Festival of Navarra , 2019 CAMP: Beginnings, Argos Centre for Art and Media, Brussels (solo); The Neighbour before the House, Slought Mediatheque, Philadelphia City Housing in a Cultural Matrix, Chicago Architecture Biennale, Chicago; From Gulf to Gulf to Gulf, Body Building, Ishara Art Foundation, Dubai; A Photogenetic Line, Experimenter - Hindustan Road, Kolkata (solo); In Cameras Res, De Appel, Amsterdam (solo); CCTV TV: An evening with CAMP, LIMA, Amsterdam; A Photogenetic Line, Chennai Photo Biennale, Chennai, 2018 40 Films: An inventory of Contemporary Cinema, Festival des Trois Continents, Nantes; THE NEW MEDIUM III: Multi-Screen Cinema, (curation) Mumbai Film Festival,Mumbai; An Oceanic Feeling, Len Lye Center Cinema, New Plymouth; General Rehearsal, V-A-C, Moscow; Lahore Biennale 01, Alhamra Art Center, Lahore; The Ocean After Nature, The Sheila C. Johnson Design Center, New York; Country of the Sea, Transmediale 2018, HKW Berlin; The Neighbour before the House, Savvy Contemporary, Berlin; CCTV Landscape from Moulali-Entally, Gem Cinema, Kolkata; 2017 Jerusalem Lives (Tahya Al Quds), Palestinian Museum, Birzeit; CCTV Landscape from Lower Parel, MAMI Film Festival, Mumbai; The New Medium II, (curation),Footage Films, MAMI Film Festival, Mumbai; Matrix, Skulptur Projekte Münster, Münster; Sekula beyond Sekula – Okeanos, Thyssen- Bornemisza Art Contemporary, TBA21, Vienna; Camera Obscura, Tate Modern, London; Could Have Beens, Ten Days Six Nights, Tate Modern, London; Hangar for the Passerby, Kiran Nadar Museum of Art, Noida; Palestine: Territory, Memory, Projections, Mucem, Marseille; The Ocean After Nature, Samstag Museum of Art, Adelaide;and Grossman Gallery, Museum of Fine Arts, Tufts University, London; and Dublin City Gallery The Hugh Lane; India Re- Worlded : Seventy Years of Investigating a Nation, Gallery Odyssey,Mumbai; 2016 Raster – Emerging from the grid, Experimenter, Kolkata; The New Medium I, (curation) MAMI Film Festival, Mumbai; Transactions, Manifesta, University of Zurich; The Ocean After Nature, Yerba Buena Center for the Arts, San Francisco; From Gulf to Gulf to Gulf, Mosaic Rooms, London; Men-at-Work with Boxes In Stereo, Times Museum, Guangzhou; After Midnight: Indian Modernism to Contemporary India 1947/1997, Queens Museum, New York; As if – V, Clark House Initiative, Mumbai (solo); As If – IV Night for Day, Chemould Prescott Road, Mumbai (solo); As If – III Country of the Sea, Dr. Bhau Dhaji Lad Museum, Mumbai (solo); As If – II Flight of the Black Boxes, 24 Jorbagh, New Delhi (solo); As If – I Rock, Paper, Scissors, Experimenter, Kolkata (solo); Mobile M+: Moving Images, M+, Hong Kong; 2014 Shanghai Biennale, Porto Post Doc, Unravelling Documentarism, Helsinki, Nirankusha Fearless Speak, Bangalore, Musée de la Chasse et de la Nature, Paris, Verzio, Budapest: Eros, Parasite, Hongkong, Lines and Nodes, Anthology Film Archives, New York, Mapping Asia, Asia Art Archive, Hongkong, Flaherty at MoMA, Modern Mondays, MoMA, New York; Flaherty Seminar, New York, Berlin Documentary Forum: Unreliable Narrators: From Stings to Leaks to Citizen Vigilantes; Spaghetti Harvest, Project 88, Mumbai Olhar de Cinema, Curutiba; Gallery TPW (co-curation), Toronto: Working In and Out of the Archive Images Festival Toronto, Opening Film, Ann Arbor Film Festival: Tales From the Networked Neighbourhood: The Cinema of Camp: 5 Films at Palestrina; Cinema, Milan; Pleasure: A Block Study (publication launch), Art Dubai; March Meeting, Sharjah; FICUNAM Mexico; Border Cultures Part II (work, labour), Art Gallery Windsor; Traps for Troubadours, Clark House, Mumbai; Dhaka Art Summit; 2013 Migrating Forms Film Festival, New York; Cork Film Festival, Ireland; Cinema Project, Portland; Pleasure: A Block Study (publication launch), Serpentine Galleries, London; Viennale, Vienna International Film Festival; Doc Lisboa, Lisbon; Athens Avant-Garde Film Festival; Underdox, Munich; BFI London Film Festival; Citizen-Artist: Forms of Address, Chemould Prescott Road, Mumbai; Bunny Smash: Museum of Contemporary Art, Tokyo; Pekham Artists Moving Image: The Sunday Painter, London; Festival Internationale de Cinema (FID), Marseille; Le Pont: Museum of Contemporary Art, Marseille;Freedom: Kunstpalais, Erlangen; Sharjah Biennale XI: From Gulf to Gulf to Gulf; The Skoda Prize Show (shortlist), National Gallery of Modern Art, New Delhi: Two Stages of Invention (solo); 2012 Kochi- Muziris Biennale; Gwangju Biennale 9; documenta (13), Kassel and Kabul; New Museum Triennale New York. 2011 Tours and Travels, Trondheim Center for Contemporary Art (solo) The Matter Within, Yerba Buena Center for Art, San Francisco; Two Stages of Invention, Experimenter, Kolkata (solo); Folkestone Triennial: Appeal for Alternatives, Kunstsammlung Nordrhein-Westfalen Schmela Haus, Dusseldorf; Sharjah Biennale X; Against All Odds, Lalit Kala Akademi, New Delhi; Indian Highway IV, MAXXI, Rome; 2010 The Second Order, Space Hamilton, Seoul; Liverpool Biennial, City States; Speak, Memory, Townhouse Gallery, Cairo; Home Works V, Beirut; Anisotropics, Gallery MUU, Helsinki (solo); Indian Highway III, MAC, Lyon.


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