Informed by the physicality and materiality of the making process, Khimji’s practice navigates a collaged way of working, referencing perpetual displacements of the transitory body moving across a fragmented space. Geometry and its deconstruction emerges in the surface of her images — where body and landscape remain closely embedded in a liminal space, materialising through an interplay of absence and presence. The lines where dots converge create a tactile portal through which time is mapped across a layered narrative of space and temporal registers.