During her time in Lahore, Vinoja took to learning traditional felt and wool craft practices using the Namda technique originating from Kashmir, practiced today in Pakistan and parts of India. Through this shape-shifting and fibrous medium, Vinoja connects to the body as repository, and to conflict zones as extended planes of flux, breakdowns, and unknowns—addressing threat and refuge, protection and annihilation, vulnerable bodies and volatile terrains.

- Natasha Ginwala