Employing a range of processes that are central to her works, including photographic transfers from personal archives, collage, painting, stitching and drawing, Radhika Khimji (b. 1979) pushes the edges of her practice. Khimji’s ongoing interests in expanding the possibilities of thinking through shapes, geometry, and the body in relation to landscapes are often the point of departure in the works on view. Abstracted landscape forms and images from construction sites seem ensconced within innumerable repeated dots and oblong shapes, an act that makes the surface of her works tactile and acutely textured.