An Afternoon Unregistered on the Richter Scale, 2011
Raqs Media Collective (* 1992, by Monica Narula, Jeebesh Bagchi and Shuddhabrata Sengupta). The word “raqs” in several languages denotes an intensification of awareness and presence attained by whirling, turning, being in a state of revolution. Raqs take this sense to mean ‘kinetic contemplation’ and a restless and energetic entanglement with the world, and with time. Raqs practices across several media; making installation, sculpture, video, performance, text, lexica, and curation. Their work finds them at the intersection of contemporary art, philosophical speculation and historical enquiry.
Raqs has exhibited widely, including at Documenta, the Venice, Istanbul, Taipei, Liverpool, Shanghai, Sydney and Sao Paulo Biennales. Some solo exhibitions (and projects) include “Pamphilos” at Fast Forward Festival 6, Athens (2019); “Still More World” at Mathaf Museum of Modern Art, Doha (2019); “Twilight Language” at Manchester Art Gallery (2017-2018); “Everything Else is Ordinary” at K21 Museum for 21st Century Art, Dusseldorf (2018); “If It’s Possible, It’s Possible”, MUAC, Mexico City (2015) and “Untimely Calendar” at the National Gallery of Modern Art, Delhi (2014-2015). Exhibitions curated by Raqs include “In The Open or in Stealth” (MACBA, Barcelona 2018 – 2019); “Why Not Ask Again” (Shanghai Biennale 2016-2017); “INSERT2014” (New Delhi, 2014) and “The Rest of Now” & “Scenarios” (Manifesta 7, Bolzano, 2008). They were the Artistic Directors of the Yokohama Triennale 2020, “Afterglow”, and most recently they exhibited “The Laughter of Tears” at the Kunstverein Braunschweig (2021), and “Hungry for Time”, which was an invitation to epistemic disobedience with the collections of the Academy of Fine Arts in Vienna (2021).